It’s something readers haven’t already experienced or thought up on their own before reading it in the pages of your book.Īs such, the question you then need to ask yourself is: What would be unexpected in your story? And you need to ask this not just for the premise in general, but for every moment in your story. The biggest one comes as the result of the answer to the simple question: What is originality? Originality, I think we can all agree, is simply the unexpected. There are definite techniques we can employ to seek out and take advantage of the potential for originality in our stories. But it does go a little deeper than that. I’ve talked before about how the most original thing you can bring to any story is yourself-your own unique views and experiences. There are only two or three human stories, and they go on repeating themselves as fiercely as if they never happened.īut the fact remains that originality is, if nothing else, a tremendous marketing point for our books. Originality is an important quality test for fiction-although perhaps not quite as much as we like to make out. This week’s video shares the most important question you can ask yourself about originality in your fiction and how to access it in every single scene.
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